We and our partners use cookies to Store and/or access information on a device. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". And no amount of stellar acting or competent filmmaking can overcome a shoddy ending. The narrative is barreling towards a conclusion that has these two at each other's mercy, with only one of them destined to come out of it alive. It's not a horror story, although things do get gothic and creepy as it progresses. Yes? His gaze seldom leaves her, and hes uncharacteristically forward. Shergold and Campbell-Hughes have crafted a bold look at two desperately damaged souls that is not afraid to venture to darker places and refrain from pat Hollywood endings. Mark Leslie of Cinema Canada favourably reviewed the film, writing that "Like Beaudin's last feature, J.A. In the sequel, we will see her prove her innocence and get the needed . Cordelia then picks up when Cordelia is approached by her cello-strumming neighbor, Frank (Johnny Flynn), who spotted her dining at a small cafe. But before long, it seems that somethings a bit off. suggesting a diversity update. But alas, its a present-day 'psychological thriller', whatever that means, which neither thrills nor offers any glittering aperus into the human psyche. Was it affectionate? In 2019 Brit-thriller "Cordelia" theatre actress Antonia Campbell Hughes (good - tho less so when also playing her identical twin) lives in a London flat with said twin, neighboured by Alun Armstrong, cellist Johnny Flynn (great as ever), et al. The movie seems to be about how he is reduced to humility and humanity--or maybe that's just a trick on him. At the precipice of a new chapter of her life, Cordelia finds herself questioning everything when someone starts taunting her with prank calls. But many things weren't tied up or explained at the end. When Caroline abruptly announces that she and her boyfriend are taking a weekend away, Cordelias stricken with quiet panic, as she will now be left on her own. Permalink. Natalie Holts score shoots straight for the heart as it pulls one into this stressful event. [2] Plot [ edit] Directed with strength and conviction, the movies shot in 35mm with slow, subtle camera movements that focus on Campbell-Hughes and her every cautious movement. Cordelia is frustratingly good at getting under the skin, but it becomes more frustrating than good as it nears its finale. Cordelia finds herself ambivalent about her father's recovery. , and to receive email from Rotten Tomatoes. Violence, language, suspense in Hitchcock-inspired mystery. Upon meeting Frank for an after-work drink, Cordelia stumbles across pictures hes taken of both her and Caroline from afar. Last edited on 24 February 2023, at 12:27, https://en.wikipedia.org/w/index.php?title=Cordlia_(film)&oldid=1141314510, This page was last edited on 24 February 2023, at 12:27. is as enigmatic as its title character for the majority of its runtime. Does exposure to violent media desensitize kids to violence? While shes preparing for her morning routine, we hear the somber strings of a cello over the soundtrack. Shot well, good acting and the 1 star review is right, it does lose its way but there's absolutely no way this is a 1 star film. Low-lit interiors, flickering lights, ominous shadows the tension in Cordelia is alive in the sets as much as in the actors themselves. Hayley NEW TO PEACOCK! Cordelia is a puzzle that feels incomplete. Stay up-to-date on all the latest Rotten Tomatoes news! The dramatic thriller is filled with ambiguity, both in character motives and the overall tone. Or carbs. The Circus: Inside the Greatest Political Show on Earth: Season 8, The Lord of the Rings: The Rings of Power: Season 1, Link to Marvel Movies Ranked Worst to Best by Tomatometer, Link to The Most Anticipated TV & Streaming Shows of March 2023. The score is paired beautifully with Tony Slater Lings cold and somber cinematography. John Koestler's kids are central to why some still want the Knowing ending explained. Upon meeting Frank for an after-work drink, Cordelia stumbles across pictures hes taken of both her and Caroline from afar. The Virtuoso is a 2021 thriller film directed by Nick Stagliano. Rob Rector Good movie, but not for everyone though. Your privacy is important to us. Director Hirokazu Koreeda has returned with a Korean-language film, including an ensemble cast of incredible actors. Please reference Error Code 2121 when contacting customer service. It seems odd that the alien race chose to save Caleb and Abby and raise two strange human children, but it was so the human race could start again. She is acting in a play and becoming attracted to Frank (Johnny Flynn), the cello player who lives in the apartment above her. Its a subtle juxtaposition of reality that sets the films tone. I find myself trying to workout whether or not her sister really exist. Retrain in cyber, babe). , written by director Adrian Shergold and star Antonia Campbell-Hughes, opens with a scene in which we see a young girl waking from a bad dream in her bed. The Douglas character, named Nicholas Van Orton, is surrounded by employees who are almost paralyzed by his rigid demands on them . Due to the quick recovery, the father is soon released from the hospital. When we next see her it's some time later12 years, we learn eventuallyand Cordelia, an actor, doesnt take the tube anymore. Antonia Campbell-Hughes plays two women: Cordelia, an ailing actress, and her sexier sister, who bunks off near the start of the film to have a raunchy weekend in Bruges. The intention is to illustrate how unstable Cordelia has become (or has always been) by this point. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. It is 92 minutes long and not rated. As Peter lies unconscious in the garden, we hear the sawing continue until a final cut results in the sound a body hitting the ground in the attic. So, it is fairly apparent that Quentin was Abilene's drug dealer, who just let her die because if she called 911, she would take Quentin's secret deal down with her. Sometimes thats enough. Caroline serves as Cordelias caregiver following a past incident that dictates her every motion. Some people tolerate more ambiguity than others. The film builds on the uncertainty and promise of an explosive finale. Intense British period drama has sex, violence, language. The intention is to . is candy a common or proper noun; Tags . Both are moody psychological thrillers but I have no idea how this has a lower rating. Youd be forgiven for assuming that Cordelia, the new film directed by Adrian Shergold, is a period drama: the poster certainly makes it look like one. | Unsettling thriller about grief has sex and some violence. It looks like we don't have any synopsis for this title yet. Filmed in a deliberately disjointed style, there are scenes of violence, including a stabbing with blood from the torso and mouth, as well as threatening phone calls and stalking behavior. As past traumas resurface and she spirals into paranoia, Cordelia (Antonia Campbell-Hughes) meets her charming neighbor Frank (Johnny Flynn) and strikes up a relationship. We dont find out exactly what happened. The consent submitted will only be used for data processing originating from this website. Rooms are ill-lit, utterly unrealistic, and audible dialogue seems to get munched up by the horrible curtains. Does exposure to violent media desensitize kids to violence. All the while, shes receiving a number of strange, menacing calls on her landline. From the first scene, the film builds upon the uncertainty and promise of an explosive finale. As the film's heroine deals with an identity crisis, finding herself as she overcomes trauma, the film itself is undergoing a similar journey. I really had no idea what was going on in 80 percent of this movie, but held on for resolution at the end. There's a sickly green light at the end of the graffiti-covered tunnel in writer/director Alex Klaus' transcendental feature debut,The Lost. Cordelia ( Antonia Campbell-Hughes) is a woman living with the ongoing effects of trauma. I think there is more to this character. It's just not interesting. Theres a really interesting pairing of two really interesting screen presences Antonia Campbell-Hughes and Johnny Flynn in this flawed but potent psychological chiller. Its just not interesting. Cordelia doesnt look as if she should be alone, and also, yes, this set-up is very much like that of Roman Polanskis 1965 catastrophic bad mood piece Repulsion.. In addition, her events are tied to particular requests given out by Esty. Shes one of a long line of drips in scary films who just dont know whats good for them: when she worries that someones in her flat, she turns the lights off, not on, and when the phone starts ringing and ringing endlessly, it takes her half the film to realise that she can simply disconnect it. Lawson's quote has been included below. Now, Graham's making Film Threat cares about your privacy and the security of your information. Parents, talk to your teens about your own values regarding sex and relationships. Shergold and Campbell-Hughes have crafted a bold look at two desperately damaged souls that is not afraid to venture to darker places and refrain from pat Hollywood endings. July 11, 2020. Common Sense is the nation's leading nonprofit organization dedicated to improving the lives of all kids and families by providing the trustworthy information, education, and independent voice they need to thrive in the 21st century. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); In-depth movie review, featured posts, and advertisements. The movie opens in the London Underground, and an uncomfortable interaction between Cordelia and a blind man that culminates with Cordelia moving with dispatch through the car. Like Cordelia, it starts off as unassuming, but it becomes increasingly unpredictable and intriguing as she carries on. In "Cordelia," a thriller directed by Adrian Shergold from a script by Shergold and the film's lead actress, Antonia Campbell-Hughes, the title character, who shares a home with her twin sister Caroline (also played by Campbell-Hughes), lives in a flat whose textured green wall coverings are pretty much the exact opposite of welcoming. Franks utterly charming, and its immediately evident that he has eyes for Cordelia. Required fields are marked *. But what initially seems like a welcome escape soon starts to feel more like a trap, leading to the question; who can we really trust? This action offends the conservative villagers. But when it reaches its conclusion, it retracts and leaves viewers in the dark. Copyright Fandango. or is it just Carolinehe starts looking pretty dodgy. Language includes variants of "f--k" and "s--t." There is also occasional drinking and smoking. Written: Adrian Shergold, Antonia Campbell-Hughes. That feeling of dissatisfaction isnt about wishing for another movie. The best you would remember is Anthony Hopkins's performance for a slight moment when he narrates the story of human remorse near the Virtuoso's father grave. But many things weren't tied up or explained at the end. Find more movies that help kids build character. Co-written by director Adrian Shergold and Campbell-Hughes, Cordelia follows a troubled woman (Antonia Campbell-Hughes) suffering from a traumatic event that derailed her life. "[3], The film was one of two, alongside Jean-Claude Labrecque's The Coffin Affair (L'Affaire Coffin), which was criticized by justice Jules Deschnes of the Quebec Superior Court for having purportedly erred in points of law. The piercing ring of an old-fashioned phone interrupting the sombre silence of the flat is creepy but thats as far as the thrills go. Dropping in on a play rehearsalof King Lear, as it happens, and shes understudying a part, but not necessarily her namesakes partshe makes her way back home by walking over Festival Bridge. At least, that is what we perceive through Cordelias eyes. Despite a dynamic lead performance from Campbell-Hughes and a charming turn from Flynn, the film smacks into a wall in its third act when itfails tofully realize the characters' relationship. Starring: Antonia Campbell-Hughes, Johnny Flynn, Michael Gambon, Joel Fry, etc. And they have some excellent moments down in the London Underground, whose potential for horror is often mishandled by film-makers but works well here, especially at the very beginning. Vancouver77 10 July 2022. The thought of such only heightens her anxiety. How realistic did it seem? Todd Field 's " Tr" ends with disgraced conductor Lydia Tr ( Cate Blanchett) conducting the score of "Monster Hunter . | May 20, 2022. She runs into an old acquaintance. Divulging more would spoil the mounting dread Shergold so successfully builds. Shergold and Campbell-Hughes orchestrate some very disquieting dream sequences, and scenes in which ostensible reality bleeds into a hallucinatory dream state. Cordelia's ending requires achieving the requirements for the True Ending. "Doesn't that cello drive you mad?" her flatmate asks, motioning to the sound emerging from a neighboring apartment. Cordelia contains cameos from Alun Armstrong and also Michael Gambon, as the scatterbrained elderly neighbour who starts a highly unwelcome conversation about whether or not having mice in your flat means you wont have rats. That's due to poor writing and direction not because the incident. Growing up with a critical father, Cordelia (known as Delia in the film) becomes an insecure woman who works in a large firm in the city. Mystery & thriller, You were the last person I saw before I got into that tube, she reminds him. External Reviews How was sex portrayed in the movie? Cordelia (Campbell-Hughes) is a fragile woman who lives in a basement apartment with her twin sister, Caroline (Campbell-Hughes). Now playing in theaters and available on digital platforms. During their meeting, Frank receives a call and suddenly exits the pub from the back, asking Cordelia to accompany him. Common Sense Media. Cordelia (Antonia Campbell-Hughes), a young woman living in London, meets her mysterious and alluring neighbor Frank (Johnny Flynn) for the first time but quickly becomes suspicious of his motives. Coming Soon. But before long, it seems that somethings a bit off. Your email address will not be published. | Just as the mother walks up to the father's workroom to hand him the phone, she finds the father passing out on the floor and having a stroke. It's a claustrophobic chamber drama about emotional breakdown co-written for the screen by Campbell-Hughes with the film's director Adrian Shergold. Unfortunately the plot only intrigues up until the final half hour. The scene itself is masterfully done, with the entire sequence ramping up the drama as Cordelia steps into her power and prepares to face danger head on, but the moment of triumph quickly dwindles when the answers to viewers' questions don't get answered. This was completely all over the place, pointless, awful and had no rationale included anywhere. Verified reviews are considered more trustworthy by fellow moviegoers. You're almost there! Others may love it. Save my name, email, and website in this browser for the next time I comment. The final cut of the film is a profoundly intriguing psychological thriller, but the possibility of a slightly more erotic psychological thriller in the vein of Fatal Attraction was tantalizingly close to being realized. Likewise, Flynn does a commendable job, but even he cant compete with his co-star. NEXT:A Perfect Pairing Review: Unexpectedly Delightful Rom-Com Is Slightly Hollow. If you chose to provide an email address, it will only be used to contact you about your comment. Cordelia is more a mood piecea catastrophic bad mood piece. Respectful? She had until recently a relationship with her supervisor who ended the affair. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Shes scraped, etherised, so breakable you want to bundle her up in a duvet and cover her in puppies. A fractured thriller that has a tightly wound atmosphere, but a slightly looser grip on its plot, this is a movie of two parts that only half succeeds. We want to hear what you have to say but need to verify your email. The reveal of what the trauma was fell flat. Cordelia is a walking-talking porcelain vase: rake-thin, see-through and perilously beautiful. And most importantly, theres the fact that Cordelia doesnt stay tethered to what we would call reality. Cordlia is a 1980 Canadian French language film directed and written by Jean Beaudin. Coming Soon, Regal However, as the film reaches the climax and all is to be revealed, it suddenly pulls the rug and stops short of perfection. | Meanwhile, Cordelia begins to recall her unpleasant childhood memories with her father because of her presence at home. At least, that is what we perceive through Cordelias eyes. We wont be able to verify your ticket today, but its great to know for the future. Bleeding together dream and reality, the film toys with perceived reality, as the pair play a game of cat and mouse, their roles never quite clearly defined. It wouldn't be a "Creed" film if it didn't end with a massive fight between the big villain and the underdog. Bianca Lawson, who would go on to appear as the vampire slayer Kendra, was originally cast as Cordelia. Not being able to assure the existence of this friendship with her father, Cordelia returns to the city to carry on her life until one day she comes home and finds a package sent by her father 10 Video Games That Need a Live Action Adaptation, 2023's Most Anticipated Sequels, Prequels, and Spin-offs. According to Oscar Wilde, "Imitation is the sincerest form of flattery that mediocrity can pay to greatness." Marvel Movies Ranked Worst to Best by Tomatometer, Jurassic Park Movies Ranked By Tomatometer, The Most Anticipated TV & Streaming Shows of March 2023, Pokmon Detective Pikachu Sequel Finds Its Writer and Director, and More Movie News. Cordelia attempts to reclaim her power and overcome the stress, anxiety, and trauma of surviving a tragic event. Its a claustrophobic chamber drama about emotional breakdown co-written for the screen by Campbell-Hughes with the films director Adrian Shergold. then picks up when Cordelia is approached by her cello-strumming neighbor, Frank (Johnny Flynn), who spotted her dining at a small cafe. AND struggles mentally with a recent trauma she's still recovering from. At a crisp 90 minutes,Cordeliais as enigmatic as its title character for the majority of its runtime. As she hits the proverbial wall, so does the film. By its conclusion, the film offers no easy answers, as the ending will undoubtedly provoke conversation. Shergolds directing pulls out all the stops to ensure the audience is thoroughly immersed in Cordelias journey. A mysterious caller begins to torment her at night, theres a supposed rat infestation and her upstairs neighbour Frank (Johnny Flynn) is more than a little bit shady. The lead protagonist bares the scars of this and tries to build her life back from this tragedy. Graham Moore won the Best Adapted Screenplay Academy Award for his first feature-length script, The Imitation Game. Cordelia learns that her father is in fact proud of her. She's come from Brussels to meet him, and he takes her for a walk to inform . The build-up to the iconic moment with Campbell-Hughes pushing Flynn up against the wall is a slow-burn, yet effectively alluring one. Events take a sudden turn towards the finale of the film. At first, Rosemary resists, but when she hears the baby cry, her mothering instincts kick in, and she rocks the cradle. Cordelia Review: Psychological Thriller Suffers From An Identity Crisis, A Perfect Pairing Review: Unexpectedly Delightful Rom-Com Is Slightly Hollow. False Positive offers a different ending: Lucy refuses to mother the twin . Shes helped along the way to madness by her upstairs neighbour Frank (Johnny Flynn), a jobbing cellist with pillowy lips and a discordant geezer accent. Cordelia strikes up a friendship with Frank (Flynn) the charming, but strange and unreliable young man they can hear practising his cello in the upstairs flat a relationship which quickly becomes very disturbing. But Cordelias dilemma is not stoked by the ogling eyes of men, as it was in the 60s film. Or therapy. The aliens' " whispering " is a form of selection, and only the chosen get a ticket off-world (Caleb and Abby . Launch List. I will start by saying I was not happy that I paid 7$ to watch this highly rated piece of empty garbage! It. Antonia Campbell-Hughes is annoying while Johnny Flynn's charisma is wasted in this 'psychological thriller', Joy for Pippa and James Matthews as their seven-month-old daughter is christened at village church, Earl Spencer shares touching childhood photo of his late mother from his personal archives, Prince and Princess of Wales host Crown Prince Haakon and Crown Princess Mette-Marit of Norway at Windsor Castle. The look of the film, too, leaves much to be desired: almost all of it plays out in a lugubrious flat with cakey wallpaper and uncomfortable vintage sofas. In the not too distant future a man is implanted with an AI chip after a crash that. Privacy Policy Once again, this high point amounts to little and feels rather inconsequential. Its a subtle juxtaposition of reality that sets the films tone. A psycho-sexual powerplay between two damaged souls? Cordelia (Antonia Campbell-Hughes) is a woman living with the ongoing effects of trauma. This article discusses the ending of the Netflix film Coven of Sisters, so it will contain major spoilers. This works best in half hour anthology series, like Alfred Hitchcock or Twilight Zone, because you know that there's going to be a simple and maybe surprising resolution, but to drag the story out for an hour and more with characters and subplots that are ultimately just filler is defeating the purpose of the original premise. A woman is shown topless in a non-sexual context and there is forceful kissing without consent and pushing and grappling in a sexual context. Both Campbell-Hughes and Flynn play their characters, Cordelia and Frank, with a veil of secrecy and mystery that adds to the nervy atmosphere. Cordelia, therefore, comes back to her home town and helps take care of her father. When a strange real-estate agent takes them to Yonder, a mysterious suburban neighborhood of identical houses, Tom and Gemma can't leave quick enough. As everything is recorded for Ben, he tells Ben that this podcast, which will eventually spread across America, will let everyone come up with their voice. Research shows a connection between kids' healthy self-esteem and positive portrayals in media. It successfully creates an eerie and suspenseful atmosphere, but the plot leaves too many unanswered questions. There are so many problems with this annoying film that its hard to know where to start. But when the ending robs the consequences of everything the plot has been building up to and their subsequent impact, the final impression is underwhelming, to say the least.
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